Iron Men and Diamond Dogs (Music, Magic & History, Part VIII)

Iron Men and Diamond Dogs (Music, Magic & History, Part VIII)

…those born of the underground had found the massive financial rewards of their commercial success overwhelming, and misspent the better part of the music’s artistic currency. That failure of nerve had simply and tragically reduced rock’s practical power to the power of business. – Fred Goodman, The Mansion on the Hill (Though largely absent from the airwaves, the original Black Sabbath changed the face of rock.) Social unrest and abhorrent popular culture spin a number of musical experiments into full-blown movements during the 1970s. Although metal, punk, reggae, and other styles can be traced back to the 1960s – and Read more »

Sucking in the ‘70s (Music, Magic & History, Part VII)

Sucking in the ‘70s  (Music, Magic & History, Part VII)

It was as if Morrison had foreseen the Manson-esque destruction of the hippie idyll, confronting the dysfunction of hippie kids initially liberated by sex, drugs and music but now disoriented, frightened, and potentially dangerous. – Barney Hoskyns, from the liner notes for the 2007 expanded CD edition of the Doors album Strange Days (As with the ’70s themselves, folks often forget how dark this movie really was.)    Magic has a price. And as the late ‘60s slide into the early ‘70s, the musical bill comes due. By the time President Nixon resigns and the last U.S. helicopters flee Saigon, Read more »